This month I stopped by shows at Eastbank, Rug & Relic, and the Washington Pavilion. No new shows at the Pavilion this month, but all of the great activities for kids still happened. There were so many artists talking about their work at Eastbank, I spent most of my time there. The variety of work made fewer stops on my route doable, but I highly recommend stopping by some other locations as well. The Museum of Visual Materials and Rehfeld’s were two stops I had on my list. See more art shows on the Sioux Falls Arts Council webpage. -Rachel
RUG & RELIC
This First Friday, Rug & Relic hosted a one-night-only feature show of over 150 pieces from Chris Vance. Vance’s work plays on familiar cartoon-like styles and bright colors to bring his work to life. Pieces like “Peanut Butter” take a more abstract turn, but use the same colors and curvy lines as his other styles. Other work on display at Rug & Relic included light sculptures from Steve Bormes, and paintings from other area artists.
The first artist talk of the evening came from John Kolb. His art style is influenced heavily by his Christian roots. Kolb joked that the goal of one of the pieces on display was to see how many different ways he could do a cross. His pieces focus on shapes in a more abstract approach. He feels that sometimes he gets “locked into” greens and blues occasionally. Using a layering technique with his colors, Kolb’s pieces can get up to 5 coats of paint. He has around 5 pieces on display at Eastbank .
Linda Ackland-Kolb gave the second talk of the night, presenting and describing her pastel-painted beeswax works of art. Her pieces, though small, take a lot of work to get right. She fielded questions about the framing process as well, which is delicate since she does not use sealant to set her pieces. The work on display at Eastbank is a series of vessels and some fashion inspired pieces. Linda plans to branch into more clothing inspired pieces next.
Warren Arends ventured from on-canvas art into stonework and jewelery. His work started as a hobby, but now Arends has two students in soldering. He turns colorful stones from all different countries and continents into pendants and rings. His business, Arends Agates, custom makes every piece for individual requests.
Scott Chleborad was another featured artist at Eastbank. His work combines painting and photography that results in often psychedelic landscapes. Chleborad’s talk was short and to the point, with a few anecdotes about his process. His work with light and contrast makes his work unique and beautiful.
All of the artists’ work at Eastbank is worth a trip to 8th and Railroad to see. More than just these four artists have work on display, and the work they brought is just as exciting. Next First Friday, Eastbank will be doing a “postcard sale” of local art, so be sure to check out the current work on display before then.
One of my favorite aspects about blogging for JAM is having the chance to go out and meet wonderful people. Sometimes they’re mysterious enchantresses or eccentric wizards. Other times, they seem like wildly excited kings and queens. This go around, I was invited into the lair of local Sioux Falls artist, Angie Gillespie. She showed me the wondrous way to create a captivating painting without the use of any paint. I thought she must have used alchemy to bring them to life in such a beautiful and mind-turning way. Having seen her process first hand, I can firmly say that her persistence with experimentation shines like gold through all of her pieces.
Are you from Sioux Falls, South Dakota? How long have you lived here?
Lived in Sioux Falls my whole life except for a short couple years in Minneapolis.
How long have you been working with your art?
I’ve painted my whole life, but started painting with wax two years ago. I actually read up and visually studied it for about six years before actually painting with wax. The timing just wasn’t right.
Where do you create?
My studio is in my basement, in a home my parents built and then sold. It was lived in by two different families, until we bought it a few years back. I work every day in the same room that I once created in as a child. It even has the same wall pencil sharpener.
What do you work with? What exactly is that medium like?
I create my encaustic medium by mixing beeswax with damar crystals which acts as a hardener. (Damar crystals are a resin.) Many of my colors are custom created mixtures using dry pigments to which I add to the clear medium, and each layer of wax must be fused together with the previous layer by heat. I work with blow torches, irons and a heat gun. My palette is a griddle full of tins and soup cans. Wax has characteristics that can’t be changed. Almost as soon as my brush touches the panel, the wax on it has cooled. For this reason, wax doesn’t lay down and blend like acrylics or oils; that comes with using heat to push the colors around and melt. When I’m working on a piece, it’s not just about what’s on the surface, it’s also the colors that were intentionally painted before, only to reemerge when scraped away to reveal new patterns that are hidden beneath.
Do you do commissions?
Of course! I love commissioned projects and working with clients who have a specific size and color palette in mind. It’s always a good feeling to make something that someone is so excited to get and hang in their home. It’s the ultimate compliment that they chose my work for something they see every day. I always feel very appreciative and grateful.
What’s your printing business?
Out of a challenge came a solution. I created APLIS Fine Art Printing as I wanted to create prints of my work that were the same size as my originals. At APLIS Fine Art Printing, I work with artists of every medium who want big beautiful prints the same size as or bigger than their originals without losing any clarity when enlarged. Through my digital capture technique, I create a base file that requires no upsampling, no interpolation of pixels. For example, I can digitally capture a 6×6 and print it out 24×24 and it remains clear without any fuzzy edges. My website lists my paper selection, sizes and prices.
What is one of, or a combination of, most challenging pieces/projects that you’ve worked on?
Pieces that have a lot of carved lines can be tricky. If you only want to melt the very top layer of wax, you have to wait longer between fusing, or else the previous layers will get too hot and shift the piece. That takes a lot of patience and time. An overall challenge I find is to remind myself to move forward and not try to duplicate something I painted. It will drive you nuts! The only way I could possibly duplicate something is to really document every step I took; from the colors I created to what I laid down and in what order. I had to do this for a commission piece where there were two paintings that almost mirrored each other. I took pictures of each step and documented everything. I even had a little old school tape recorder… which would have been cool if I had used it, but I used my phone.
Where can people contact you? What’s the contact line for your printing business?
People can reach me by calling, texting, emailing, pigeon carrier, sky writing…. All my contact info is on my two websites. AngieGillespie.com has images of my work and prints you can order! APLISfineartprinting.com has information on digital capturing services, printing and prices. I always welcome questions about the process, and what APLIS Fine Art Printing can do for them. I love to help artists create multiple streams of income for themselves by selling prints of their work!
Can you use three words to describe your art and yourself?
Perseverance. Fearless. Optimistic.
It’s okay to make your own rules. I try to remember that when it comes to what I want to accomplish as an artist. I’m a huge believer in writing down goals. I have notebooks full ideas and plans, then I break it down and work on what I can accomplish now, months from now and years down the road. Every idea starts somewhere, some with giant leaps, others with baby steps. After taking a few years off and silencing my creative spirit, I found myself standing at the sidelines waiting to jump in; full of ideas and stuffed with inspiration, knowing one day, I’d paint with wax. I didn’t know what I’d create… I just had to let it all out, and remember it was okay to make my own rules.
When you look at LindaAcklandKolb’s work, it’s easy to find yourselfstaring. That’s okay; I don’t blame you. Touching on inspiration from nature, fashion, and her musical background, Kolb utilizes pastels and beeswax to produce vibrant, controlled pieces suspended in soft, soapy deliciousness. Having spent several years working with mixed media, she has rendered some of that technique to her wax pieces, and it reads incredibly well. I was excited to view her work in person, and was even granted the pleasure of being walked through the technical nature of her creative process.
That is what I treasure most with these interviews, the opportunity to see an artist’s work space, to see theirprogress pieces, to see their home. A residence is an embodiment ofa person; small nuances giving circular direction right back to the source. A home resonates with memories, motives, little bits of your soul wrapped into those things your hold most precious. With Kolb, her Sioux Falls home is just as warm and bright as her seemingly perpetual smile. Several months ago, chatting by the warm glow of a fragrant Christmas tree, Kolb shared with us the necessity of creativity as a child, and the strength of perseverance when pursuing your goals. Herthoughtful and articulate words gavesoft guidance and strong advice. I found myself pulled in by her kindness, and hope that it translates through to you, the reader. Breathe in, breathe out, muster a smile and treat yourself to a great read about a lovely person. ~Amy
What is the path that has led you to where you are today?
My mom had a great influence over me and my siblings. We got along with what we had, and we used basic things to entertain ourselves, to be creative in some way. I grew up on a farm, so we pounded nails in some boards and floated them across the stock tank. She made our prom dresses. She was a seamstress, along with my grandma, so I’m sure I picked up some of that from her. She would put Continue reading LINDA ACKLAND KOLB – AN INSPIRING INTERVIEW→